EXHIBITIONS, REVIEWS, WRITING, AWARDS & COLLECTIONS
Harris installing work at Painted Bride Art Center, in video by Bob Finkelstein, 2013.
Current Exhibitions, Past Solo Shows, Reviews & BooksJuly 26, 2024-Jan. 1, 2025: Group exhibition, Groundings, Christ Church Neighborhood House, 20 N. American Street, Philadelphia.
Opened JUNE 24, 2023: Buffalo Soldiers: reVision, permanent exhibition examining the complex legacy of the Buffalo Soldiers in the American West, and highlighting ethnic, gender, and racial identities in the landscape of the southern Colorado borderlands. Featuring works by eight artists from across the United States: Chip Thomas (lead artist); Esther Belin; Mahogany L. Browne; Rosie Carter; Gaia; André Leon Gray; Theodore A. Harris; and Tom Judd. Fort Garland Museum and Cultural Center, 29477 Highway 159, Fort Garland, Colorado.
Past Solo ShowsOct. 11-Nov. 21, 2021
Theodore A. Harris: Art as Social Praxis Dedicated to Art Historian David Craven Curated by Thea Gahr Exhibition and artist residency The Linfield Art Gallery, Linfield University McMinnville, OR Opening reception & artist talk: Thursday Oct. 14, 2021, at 6 p.m. 2022-23 Truth or Consequences: The Truthoscopic Art of Theodore A. Harris A Retrospective Exhibition Curated by David McKnight University of Pennsylvania Philadelphia, PA 2019
Thesentür: Conscientious Objector to Formalism series in Conversation with the Henry Charles Lea Library. Curated by David McKnight, The Philadelphia Avant-Garde Studies Consortium, Kislak Center for Special Collections, Rare Books and Manuscripts, 15 Nov. 2019. (Exhibition booklet) University of Pennsylvania, Philadelphia, PA 2018
Theodore A. Harris: Dis-placed by Conflict, 27 Sept. 2017-1 Aug. 2018, The Center for the Humanities at Temple University, Philadelphia. Review: Mir, Stan. "Collaging Together Society's Ills." Hyperallergic, July 15, 2018. 2015
Theodore A. Harris: Collage and Conflict, curated by Klare Scarborough, La Salle University Art Museum, Philadelphia. (Exhibition booklet with essay by Klare Scarborough) Review: Booker, Bobbi. "La Salle museum presents Theodore Harris." The Philadelphia Tribune, Sept. 25, 2015. Theodore A. Harris: Conscientious Objector to Formalism. Paley Library, Temple University Philadelphia. The KNIFE Unsheathed: Works from 1995 to 2015, Philadelphia Mural Arts Program, 30 Nov.-22 Dec. 2015, Commonwealth Gallery, Thomas Eakins House, Philadelphia. 2013
Theodore A. Harris: Our Flesh of Flames / Facts on the Ground, Café l’Artère, McGill University, Montreal. Review: Hanula-James, Nathaniel. "Collage and Conflict: Manifestos on the Politics of Visual Art." The McGill Daily, Oct. 21, 2013. Our Flesh of Flames: Collages by Theodore A. Harris and Captions by Amiri Baraka, The Brecht Forum, New York City. 2011
The Collage Art of Theodore A. Harris: Selected Collages 1995-2009. The University of Chicago Center, Paris, France. 2010
Collage and Conflict: The Anti Imperialist Art of Theodore A. Harris, produced by Jim Brossy for Phillycam, Philadelphia. Video: https://vimeo.com/19613879 2009
Theodore A. Harris: Where Would America Be Without Chains: Selected Collages 1995–2008, David A. Portlock Black Cultural Center, Lafayette College, Easton, Pa. (Exhibition booklet) 2007
Our Flesh of Flames: Collages by Theodore A. Harris; Captions by Amiri Baraka, curated by Kevin Sipp, Hammonds House Museum and Resource Center of African American Art, Atlanta, Ga. Reviews: Feaster, Felicia. "Review - Rage Against the Machine." Creative Loafing, Aug. 8, 2007. Fox, Catherine. The Atlanta Journal-Constitution. Harvey, Phillip. "Our Flesh of Flames exhibition." nat creole magazine, No. 16, Summer 2007. Vallen, Mark. "Our Flesh of Flames." Art For A Change, Aug. 9, 2007. 2006
Theodore A. Harris: Art for a Phoney War. Du Bois College House, University of Pennsylvania, Philadelphia. 2005
The Collage Art of Theodore A. Harris, The Brecht Forum, New York, NY. 2003
Our Flesh of Flames: Collages by Theodore A. Harris; Captions by Amiri Baraka. Curated by Nanette Boileau, Saint Louis University Museum of Art, St. Louis, Mo. 2002
We Wear Our Flesh Like Flames: Collages by Theodore A. Harris; Captions by Amiri Baraka. Harmony House, Stanford University, Stanford, Calif. Essay:
Paulmier, Stephen. "CULTURE: OURS - A critique of the collage: End this War ... (after Shirley Chisholm) by Theodore A Harris. Hammermag. 1998
Theodore A. Harris: Hunted Everywhere. Insurgent Art Series, Rutgers University, New Brunswick, N.J. BooksThesentür: Conscientious Objector to Formalism.
Our Flesh of Flames (Anvil Arts Press), with Amiri Baraka. Malcolm X as Ideology (LeBow Books), with Amiri Baraka. i ran from it and was still in it (Cusp Books), with Fred Moten. TRIPTYCH: Text by Amiri Baraka and Jack Hirschman (Caza de Poesía). |
The type font is meaningful, explains Harris at Painted Bride Art Center, 2013, in a video by Bob Finkelstein.
Awards & Past Group ShowsAwards & Residencies2009
Ashé Cultural Arts Center, New Orleans 2007 40th Street Artist In Residence, Philadelphia 2007 Hammonds House Museum, Atlanta Harry Harris Award, The Woodmere Annual: 76th Juried Exhibition, Harry Philbrick juror, Woodmere Art Museum, Philadelphia, PA 2000 International Festival of Arts and Ideas, New Haven Co-Recipient, Inaugural Occupy PEACE (Place, Environment, Animals, & Community Empowerment) Award from the Environmental Education Special Interest Group (EE SIG) Curated by Theodore Harris2012-13
Shut Your Trap!: A Study on Authority in Art, dates go here, Asian Arts Initiative, Philadelphia. Artists: Manuel Acevedo, Kien Nguyen, Glynnis Reed, Keir Johnston, and Ernel Martinez Review: Schwartz, Chip. "Asian Arts Initiative Ends 2012 with a Busy Schedule." Arts, Knight Foundation, Dec. 13, 2012. 2010
SURFACE POLITICS: Looking Beneath Aesthetics and Formalism, 8 Oct.-20 Nov. 2010, Salon Joose Studio Gallery, Philadelphia. Artists: Joan Huckstep, Leroy Johnson, Gabriel Tiberino, Tanya M. Dodd, Quentin Morris, Nadine Patterson, David Stevens, and Theodore A. Harris. Reviews: Epstein, Edward M. "More Than Meets the Eye?" Artblog, Nov. 1, 2010. Rice, Robin. "Favorite Things." Philadelphia City Paper. Past Group Shows2018
The Idea of the Avant Garde, curated by Marc James Léger, 28 Sept.-26 Oct. 2018, NeMe Arts Center, University of Nicosia, Limassol, Cyprus. (Book, The Idea of the Avant Garde and What It Means Today, vol. 2, edited by Marc James Léger, Intellect Books, 2019. 2017 Endless Shout, curated by Anthony Elms, 14 Sept. 2016-19 Mar. 2017, Institute of Contemporary Art, University of Pennsylvania, Philadelphia. (Catalogue) Jarring, curated by Robert Lugo, 26 May-27 Aug. 2017, The Delaware Contemporary, Wilmington. Review: Fallon, Roberta. "Jarring at Delaware Contemporary, organized by Robert Lugo, a conversation about racial violence that welcomes all." Artblog, Aug. 6, 2017. The Woodmere Annual: 76th Juried Exhibition, Harry Philbrick, juror, The Woodmere Art Museum, Philadelphia, 3 June-4 Sept. 2017. (Catalogue) Reviews: Booker, Bobbi. "Woodmere Museum rolls out annual juried exhibit." The Philadelphia Tribune, June 3, 2017. Hine, Thomas. "Putin, pink yarn, ennui: See how local artists are grappling with the Age of Trump." The Philadelphia Inquirer, June 14, 2017. Lieberman, Michael. "The Woodmere Annual 76th Juried Exhibition." Artblog, July 14, 2017. Paul Magazine. The Philadelphia Art & Urban Literary Review, Sept. 18, 2017. Approaching Abstraction: African American Art from the Permanent Collection, curated by Klare Scarborough, 15 Mar. 2016-15 June 2017, La Salle University Art Museum, Philadelphia. Philadelphia Renaissance, curated by Noah Smalls, Dec. 2016-18 Feb. 2017, Art Sanctuary, Philadelphia. Review: Weaver, A.M. "Visions of a Philadelphia Renaissance at the Art Sanctuary." Artblog, Feb. 1, 2017. High John the Conquer Ain't Got Nothing On Me: American Hoodoo and Southern Black American-Centric Spiritual Ways, curated by Danny Simmons and Shantrelle P. Lewis, 12 Jan.-18 Mar. 2017, Rush Philanthropic Arts Foundation, New York City and Philadelphia. 2016 Fury Undiminished: Love is a War Machine, curated by Zachary A. Combs and Brian Jerome, Exhibitions Lab, Pennsylvania Academy of the Fine Arts, Philadelphia, PA. Arresting Patterns: Race and the Criminal Justice System, curated by Sarah Fritchey, Titus Kaphar, and Leland Moore, African American Museum in Philadelphia; traveled from Artspace, New Haven, Conn. Reviews: Salisbury, Stephan. "African American Museum exhibition explores 'crisis' of incarceration." The Philadelphia Inquirer, May 26, 2016. Webb, Brittany. "Arresting Patterns." Center for the Future of Museums, American Alliance of Museums, Aug. 31, 2016. Happiness, Liberty, Life? American Art and Politics, curated by Jodi Throckmorton and Anna O. Marley, 30 June-18 Sept. 2016, Pennsylvania Academy of the Fine Arts, Philadelphia. Reviews: Luna, Elizabeth Perez. "Serious and playful looks at American art, politics assembled for PAFA show." Arts & Entertainment, WHYY public broadcasting, July 6, 2016. Mir, Stan. "In the Shadow of the DNC, Art About Politics vs. Political Art." Hyperallergic, July 28, 2016. Unlisted, Theresa Rose, Leroy Johnson, and Theodore A. Harris, curated by Nato Thompson, 11 Aug.-10 Sept. 2016, (exh. booklet). Icebox Project Space, Philadelphia. 2015 Outcry! curated by Leslie Guy, African American Museum for the First Person Arts Festival, 11 Nov.-15 Nov. 2015, held at Christ Church Neighborhood House, Philadelphia. Reviews: Crimmins, Peter. "'Outcry!' responds to deaths of African-Americans at hands of police." Arts and Entertainment, WHYY public broadcasting, Nov. 11, 2015. Johnson, Tara Lynn. "First Person Arts Festival features African American Museum's 'Outcry!'" Broad Street Review, Nov. 9, 2015. 2014 Philadelphia Public History Truck: A Lot More Historical. Artist Free Breakfast Program, Tim Portlock, Theodore A. Harris, curated by Erin Bernard, Philadelphia. Diasporic Circuits Reconsidered Conference, University of Pennsylvania, organized by Deborah A. Thomas and John L. Jackson. Theodore A. Harris with invited artists. Free Breakfast Program Exhibition, The Painted Bride Art Center, Philadelphia. 2013 Freedom, Fire, and Promiscuous Meetings: The Philadelphia Community Lyceum, curated by Nadine Patterson, 5 April-18 May 2013, The Painted Bride Art Center, Philadelphia. 2012 Art and Dissent, Works from the Permanent Collection by Francisco Goya, Roberto Matta, Richard Hamilton, Ed Paschke, Edward Kienholz, Erro, Theodore Harris, and Susan Scandrett, 10 Feb.-15 April 2012, Saint Louis University Museum of Art, St. Louis, Mo. 2011 Bearing Witness: Artists Reflect on 30 Years of AIDS Pandemic, curated by David Acosta, Asian Arts Initiative, Philadelphia. Review: Alfred, Chip. "Bearing Witness." (A&U 2011) 2010 The Last Book: A Project by Luis Camnitzer, The Zentralbliothek Zurich (Zurich Central Library), Zurich. 2009 War is a Map of Wounds: The Art of Howardena Pindell and Theodore A. Harris, with performance by Rafael Sanchez; curated by Midori Yoshimoto, New Jersey City University, Jersey City, N.J. (Brochure; essay by Dennis Raverty) Publications: Craven, David. "Present Indicative Politics and Future Perfect Positions: Barack Obama and Third Text." Third Text, Vol. 23, No. 5, pp. 643-648, DOI: 10.1080/09528820903185010. Villaflor, Rossana, and Mia Ray. "War is a Map of Wounds, The Art of Howardena Pindell and Theodore A. Harris." The Gothic Times, March 24, 2009, p. 7. Winkenweder, Brian, editor. Art History as Social Praxis: The Collected Writings of David Craven. Haymarket Books, 2017, p. 330. Acrid Dialectic: The Visual Language of Leroy Johnson and Theodore A. Harris, curated by Ann Shields, HUB Gallery, Pennsylvania State University, State College, Pa. Reviews: "Exhibit explores lives of African-Americans." Penn State News, Jan. 9, 2008. Goga, Stephanie. "HUB collages break tradition." The Daily Collegian, Feb. 7, 2008. 2008 - 2010 Celebration of Visual Traditions: New Work of Diverse Pennsylvania Artists, Biennial Exhibition, presented by the Pennsylvania Council on the Arts and Pennsylvania State University; jurors Faith Ringgold and Ann Shields; 30 May 2008-31 Mar. 2010; exhibition traveled to HUB Gallery, Penn State University, State College, Pa.; Jump Street / Whitaker Center, Harrisburg; The Art Gallery at Penn State New Kensington, Upper Burrell, Pa.; Lancaster Museum of Art, Lancaster, Pa., Meeschen Gallery, Meadville, Pa.; Manchester Craftsmen's Guild, Pittsburgh; Erie Art Museum, Erie, Pa.; African American Museum in Philadelphia. (Catalogue) 2008 From Taboo to Icon: Africanist Turnabout, curated by Sophie Sanders and Shervone Neckles, 9 Jan.-10 Feb. 2008, Icebox Project Space, Philadelphia. Reviews: Kirsh, Andrea. "The Politics of Africanist Aesthetics." Artblog, Jan. 22, 2008. Rice, Robin. "Life in Turnabout." Philadelphia City Paper, Jan. 23, 2008. Ready or Not: Shirley Chisholm for President, curated by Phillip Harvey for NatCreole.com, 10 Oct.-7 Nov. 2008, Brooklyn Public Library, Flatbush Branch, N.Y. Group exhibition, Sande Webster Gallery, Philadelphia. 2006 - 2007 Celebration of Visual Traditions: New Work of Diverse Pennsylvania Artists, Biennial Exhibition, presented by the Pennsylvania Council on the Arts and Pennsylvania State University; jurors Doris Nogueira-Rogers and Ann Shields; exhibition traveled to: HUB Gallery, Penn State University, State College, Pa.; The August Wilson African American Cultural Center, Pittsburgh; Jump Street / Whitaker Center for Science and the Arts, Harrisburg; and the African American Museum in Philadelphia. (Catalog) Reviews: Solomon, Janera. "Multicultural Celebration of Visual Traditions fails to define its terms." Pittsburgh City Paper, Dec. 7, 2006. 2006 Silent Voices Loud Echoes, curated by Richard J. Watson, African American Museum in Philadelphia. What Color the Dawn: Breaking the Silence on the 1906 Atlanta Race Riot, curated by Kevin Sipp with Louise E. Shaw, Eyedrum Gallery, Atlanta, Ga. 2004 Our Mirror, Lower Manhattan Cultural Council, The Ellen Powell Tiberino Memorial Museum, Philadelphia. Artists Against the End of the World, curated by Raphael Tiberino, Art Around Gallery, The Ellen Powell Tiberino Memorial Museum, Philadelphia. Group exhibition, Mural Arts Program, Philadelphia. 2002 Living Off Experience, Rush Arts Gallery, New York City. 2000 Four Artists From Philadelphia: John J Abner, Leroy Johnson, Theodore A. Harris, and Cavin Jones, curated by Cavin Jones, Western Oregon University, Monmouth, Ore. 1990 Anti-Graffiti Network Artist, curated by Libby Newman, West Philadelphia Science Center Philadelphia. 1989 Afro-American Historical and Cultural Museum, Philadelphia. 1985 Nexus Gallery, Philadelphia. 1984 Graffiti, organized by the Anti-Graffiti Network and Makler Gallery, Philadelphia. |
Another installation scene at Painted Bride, 2013; video by Bob Finkelstein.
Collections, Events, Essays, Media & BibliographyEventsReading, Sunday, July 28, 2024, at 3:30 p.m.: Black Fire - This Time, Vol. 2: A Poetry Reading with the Moonstone Arts Center, Barnes & Noble, 1708 Chestnut Street, Philadelphia.
APRIL 6, 2023, 7 - 8:30 pm: "VETOED DREAMS: PUBLIC ART IN THE AGE OF INSURRECTION" talk [watch on Youtube] at Pennsylvania Academy of the Fine Arts, part of Rising Sun: Artists in an Uncertain America, a collaborative, multivenue exhibition presented by The African American Museum in Philadelphia (AAMP) and the Pennsylvania Academy of the Fine Arts (PAFA), up through October 8, 2023. Commissioned new works examine the timely question: “Is the sun rising or setting on the experiment of American democracy?” Installations by 20 celebrated artists explore themes of equality, free speech, and other tenets of democracy. For information on the exhibition, events and programs, visit RisingSunPhilly.org. AAMP: 701 Arch Street; and PAFA: 118-128 N. Broad Street, Philadelphia.
JUNE 28, 2021, 7 pm Eastern Time, online: Moonstone Art Center's Virtual Poetry with Rachel Blau DuPlessis and Theodore A. Harris, moderated by Ron Silliman. Zoom meeting ID: 819 5645 4446 Password: 997369 moonstoneartscenter.org/
March 27, 2021, 5 to 6 p.m., "The Poetic History Book of Theodore A. Harris: Collagist, Activist, Curator." Interview with Tina Brock on "Into the Absurd: A Virtually Existential Dinner Conversation," produced by the Idiopathic Ridiculopathy Consortium.
Click to watch the interview on Youtube
Dec. 4, 2020, 1 to 4 p.m. (U.S. Eastern Time), Theodore A Harris presents recent work at the sixth annual Philadelphia Avant-Garde Studies Consortium symposium, "Ad Absurdum: The Politics and Poetics of Absurdity in Avant-Garde Art and Thought," free webinar hosted by the Kislak Center, University of Pennsylvania.
May 21, 2020, 5:30 p.m.: Online PAFA Pours talk, "The Visuality of Covering." Harris talks about one of his works in the PAFA collection, Vetoed Dreams (1995), in conversation with PAFA's Contemporary Curator, Jodi Throckmorton, and Curator of the John Rhoden Collection, Brittany Webb; and about ways people cover themselves, historical depictions of covering, and current makers. The conversation was recorded and can be played on PAFA's Youtube channel, here.
Jan. 19, 2020, 5:30 p.m.: Presentation and reading at Brickbat Books, 709 S. 4th Street (between Bainbridge and Monroe Streets), Philadelphia. Harris presents a recording of the late poet Amiri Baraka reading "Our Flesh of Flames," composed in conjunction with Harris's collages. Copies of their book will be available at the event for purchase. For more information, call (215) 592-1207.
Humanities Lecture, Temple University, Feb. 21, 2018.
Interview with Jennifer Zarrow, artblog radio, Feb. 7, 2018.
Finkelstein, Bob. "Freedom Fire & Promiscuous Meetings," Hipcinema.net. April 10, 2013. Text:
hipcinema.net/2013/04/10/freedom-fire-promiscuous-meetings-april-5th-to-may-18th-painted-bride/ Video: www.youtube.com/watch?v=TwCsGEiuOQo 9th International Conference, “Black States of Desire,” Collegium for African American Research, Paris, 2011.
Artists' Dialogue: Our Flesh of Flames, with (from left) Jeremy Glick, Theodore A. Harris, and Fred Moten. Brecht Forum, New York, February 2012.
Theodore A. Harris Fourth Wall Artist Profile, filmed at Salon Joose and the Institute for Advanced Study in Black Aesthetics, presenting SURFACE POLITICS: Looking Beneath Aesthetics and Formalism, 8 Oct.-20 Nov. 2010, curated by Harris.
BibliographyEburne, Jonathan P. "After Somebody Blew Up America: An Interview with Theodore A. Harris and Jonathan P. Eburne." ASAP/J, Sept. 23, 2021, concurrently published with:
Heon, John. "Theodore A. Harris: Master Unmasker of Hidden Histories." ASAP/J, by the Association for the Study of the Arts of the Present (ASAP). Together, the two companion pieces offer rich insight into Harris's creative process and the wide-reaching effects of his work. ASAP is an international, nonprofit dedicated to discovering and articulating the aesthetic, cultural, ethical, and political identities of the contemporary arts. Emmelhainz, Irmgard. "Art as Seeing Through Neoliberal De-reification." NONsite.org, Issue #36, May 9, 2021.
Deskin, Hannah. "Theodore A. Harris' 'The Long Dream, After Richard Wright,' and the Activists in Our Collections." Library Matters, McGill University, Nov. 30, 2020.
Prevallet, Kristin. "Form and Politics: Theodore A. Harris Interviewed by Kristin Prevallet." BOMB Magazine, Nov. 2, 2020.
African American Review. Johns Hopkins University Press, Vol. 53, No. 3, Fall 2020. Cover art.
Auslander, Mark. "Vetoed Dreams: Theodore A. Harris." Art Beyond Quarantine, June 20, 2020.
Harris, Theodore A., and Daniel L. Potter. "Thesentür Re-Imagines Marker & Resnais, 'Statues Also Die.'" Chris Marker: Notes from the Era of Imperfect Memory, June 20, 2020.
Sachs, Sid, ed. Invisible City: Philadelphia and the Vernacular Avant-garde, exhibition catalogue, Philadelphia: University of the Arts, 2020, p. 47.
kolaj magazine/Collage Books. Our Flesh of Flames. 2020.
Léger, Marc James (editor). The Idea of the Avant Garde - And What It Means Today (Intellect Books, 2019).
Bauridl, Birgit M. Betwixt, between, or beyond? Negotiating 'Trans' formations from the Liminal Sphere of Contemporary Black Performance Poetry (American Studies - A Monograph). Universitätsverlag Winter, 2012.
Pindell, Howardena, et al. Kara Walker No/ Kara Walker Yes/ Kara Walker ? Midmarch Arts Press, 2009. Asante, M.K., Jr. It’s Bigger Than Hip Hop. St. Martins Press, 2008. MacPhee, Josh, and Favianna Rodriguez (editor), Reproduce and Revolt!: A Graphic Toolbox for the 21st Century Activist. Soft Skull Press, 2007. DMZ: A Guide to Taking Your School Back from the Military. War Resisters League, 2006. Parkes, Nii Ayikwei, and Kadija Sesay (editor). Dance the Guns to Silence: 100 Poems for Ken Saro Wiwa. flipped eye publishing, 2005. 500 Years Later. Directed by Owen Alik Shahadah, Halaqah Media & Universal Music Group, 2005. Latner, Teishan (editor). The Quotable Rebel: Political Quotations for Dangerous Times. Common Courage Press, 2005. All the Days After: Critical Voices in Poetry and Artwork. Upsidedown Culture Collective, 2003. Medina, Tony, and Samiya Bashir and Quraysh Ali Lansana. Role Call: A Generational Anthology of Social and Political Black Literature and Art. Third World Press, 2002. Medina, Tony. bum rush the page. Three Rivers Press, 2001. Anderson, S.E., and Tony Medina (editors). In Defense of Mumia. Writers & Readers, 1996. Public CollectionsCenter for Africana Studies
W.E.B. Du Bois College House Penn Libraries, University of Pennsylvania Saint Louis University Museum of Art Lincoln University Pennsylvania Academy of the Fine Arts Private CollectionsWinston and Carolyn Lowe Collection, Philadelphia, PA
Petrucci Family Foundation Collection of African American Art, Asbury, NJ McGill University Art Department, Montreal, CA Ms. Katrina-Hazzard Donald, Philadelphia, PA Ms. Pamela Bridgeforth, Philadelphia, PA Mr. Jeremy Glick, New York, NY Mr. Lewis T. Moore, Philadelphia, PA Mr. Al Hunter, Jr., Philadelphia, PA Ms. Sherry Bronfman, New York, NY Mr. Oliver S. Franklin, Philadelphia, PA Mr. Thomas F. Eagleton, St. Louis, MO Ms. Sande Webster, Philadelphia, PA Mr. & Mrs. Roots, Japan Ms. Marlean Patterson, Philadelphia, PA Ms. Adrienne C. Hurly, Montreal, CA Mrs. and Mr. Asante, Philadelphia, PA Beatrice Jauregui and Anand Rao, Montreal, CA |
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