Theodore Harris:
How to Make Art under a Dictatorship
By John Heon
Published in FIELD - A Journal of Socially-Engaged Art Criticism

Additional images that accompany the essay:
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Fireplace installation view, Theodore A. Harris and Taji Ra’oof Nahl, After Aimé Césaire / ghosts (Thesentür: Conscientious Objector to Formalism series), 2024, CFEVA fireplace, soup tureen, books, Bembe peoples mask, African stool, cotton balls.
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Taji Ra’oof Nahl and Walter Gershon Performing Hearing Justice: A Sonic Response in Solidarity with a Colonial Critique, Photo courtesy of Hidden River Films.
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Theodore A. Harris and Taji Ra’oof Nahl, After Aimé Césaire / ghosts (Thesentür: Conscientious Objector to Formalism series). 2015, triptych, 18”x24” each panel, digital image printed on paper.
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Theodore A. Harris and Taji Ra’oof Nahl, After Aimé Césaire / ghosts (Thesentür: Conscientious Objector to Formalism series). 2015, triptych, 18”x24” each panel, digital image printed on paper. 
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Installation view.
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Theodore A. Harris, After Brian Winkenweder (Thesentür: Conscientious Objector to Formalism series), 2022 45”x24", image printed on paper.

(More to come....)

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